[vc_row][vc_column width=”1/2″ el_class=”new-left-side”][vc_column_text]Architectural Art Glass 102 - Glass StyleThe design world is buzzing with excitement to explore glass as a functional and dramatic style element. Being a motivated and cutting edge style enthusiast, you hop online to find what kind of glass countertop would be best for your kitchen remodel or what glass table top would add an eye catching element to your outdoor patio. Soon you find yourself staring at your computer screen, reading terms like “fused”, “cast”, “frit” and “kiln-formed” not knowing exactly what they mean. This article is our attempt to explain these terms so you may gain a working knowledge of glass styles and applications.[/vc_column_text][/vc_column][vc_column width=”1/2″ el_class=”new-right-side”][vc_column_text]By the Time You Read this Article You Will Know:

  1. Unique aspects of Kiln-Formed Glass, Surface Textured Glass and Introducing Color Elements.
  2. How each technique can be used individually or combined resulting in Functional Works of Art.

The joy in using glass as our artistic medium is the versatility it affords by utilizing one or several techniques when forming a custom design. Glass is a fluid substance allowing tremendous variation and range of artistic expression, while requiring careful planning and technique. Every well versed interior designer, artist and style enthusiast knows that the key to working with your palette is to first get to know it. Instead of colors, we’re going to get familiar with the palette of glass.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ el_class=”new-left-side”][vc_column_text]Kiln-Formed Glass

Kiln-formed glass, also known as “warm” glass, is created by placing glass in a kiln or oven and melting it to form different textures or thicknesses. The oven temperatures typically range from 1400 to 1600 degrees Fahrenheit. This category includes the techniques of SlumpingFusing/Layering and Casting.

Slumped Glass Wine Door

Slumped – Click to View

Slumped Glass is created by using a combination of heat, gravity and bending to mold flat glass into textured and/or three-dimensional shapes. The texture is created within the kiln, resulting in designs that range from an overall organic impression to a precise representational relief. Slumped glass is one of the more cost-effective and versatile types of art glass, and the techniques applied work well for either horizontal installations, e.g. table surfaces, counters and vanities; or vertical installations, e.g. door inserts, windows and partitions. With this technique, we were able to recycle a post-industrial glass panel into the lovely wine door pictured here.[/vc_column_text][/vc_column][vc_column width=”1/2″ el_class=”new-right-side”][vc_column_text]

Fused / Layered Glass Office Desk

Layered – Click to View

Fused / Layered Glass is created by stacking panels of glass together in the kiln and heating it until the pieces melt together. When you see glass that has visible layers, you are encountering fused glass. This glass obtains a slight texture as a result of the fusing process. Fused / Layered glass looks best when we create organic edges that look scalloped or wavy, as seen in the picture of a layered glass desk. This type of glass works best as a horizontal installation and, in combination with the edge treatment, is very eye pleasing on glass vanities, kitchen counters, table tops, and the like. Color elements can be added between the layers for striking design features.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ el_class=”new-left-side”][vc_column_text]

Cast Glass Kitchen Counter Top

Cast – Click to View

Cast Glass is created by using tiny pieces of crushed glass (called cullet) which is melted in a custom mold in our kiln. Bubbles are the unique characteristic of cast glass, created when air is trapped between the cullet pieces at high temperatures. We are also able to create an ‘iced’ or ‘halo’ look if desired. Cast glass is found most often in horizontal glass surfaces with a thickness between ¾” to 1 ½”, and can be used in counter tops, tables, mantles, transaction tops, and other novel projects; and as vertical installations, e.g. balustrades, shower enclosures, and room partitions. The cast glass technique is the most time and energy intensive, but offers the most all-around possibilities of the kiln-formed glass with virtually limitless color and thickness; it can be cut to any shape, and it diffuses light beautifully with varying levels of opacity possible. The picture to the right shows a sea green cast glass kitchen countertop with medium opacity.[/vc_column_text][/vc_column][vc_column width=”1/2″ el_class=”new-right-side”][vc_column_text]Surface Textured Glass

Surface textured glass is created when the glass surface is sandblasted to produce a textured non-glossy surface. The varying techniques include Etching, Glue-Chipping and Carving.

Etched Glass Entry Doors

Etched Glass – Click to View

Etched Glass displays a technique to impose decorative patterns on otherwise plain glass by using a thin film “resist” to cover the areas to remain transparent. This type of glass allows for a varying degrees of obscurity by removing the shine from the glass. The application of frosted / etched glass is typically on vertical installations, and, while traditionally used in privacy oriented projects, has expanded to other areas of the home or office including closet doors and even desk tops. This process can be fairly economical and may be applied on all types of glass ranging from simple 1/8″ glass to kiln-formed custom art glass pieces.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ el_class=”new-left-side”][vc_column_text]

Glue Chipped & Etched Glass Partition

Glue Chipped – Click to View

Glue-Chipped Glass results from a process of applying hot organic-based glue to the surface of previously etched glass. As the glue dries it shrinks, pulling chips of the glass surface away over many hours.

 

 

Carved & Glue Chipped Sign

Carved – Click to View

Carved Glass is an artistic statement that involves sandblasting to varying depths and levels, giving the glass a “hand carved” appearance. Carving adds an element of three-dimensional depth to the glass, and requires a high degree of skill. As with etching, carved glass is usually seen in vertical installations, e.g. entries, partitions and walls.

Surface Texture not only adds depth, design and interest to your glass piece, it tells your unique story.

[/vc_column_text][/vc_column][vc_column width=”1/2″ el_class=”new-right-side”][vc_column_text]Introducing Color Elements

Colored glass might seem a simple concept, but there are many ways to add color elements to glass, either along with or in addition to any of the kiln-formed or surface textured techniques. Colored glass techniques include the use of Glass Frit, Painting and Silvering.

Frit within Layers of Glass Table Counter Top Shelf

Frit – Click to View

Glass Frit is composed of tiny pellets or powders of colored glass which are applied as a part of the kiln-forming process. This technique offers a wide variety of colors and intensities, from subtle to bold and usually works best when creating shapes or designs in our low-iron or clear glass. Frit is often used in tandem with layering to introduce color at various depths within the finished piece. The major benefit of using frit is that it is fused right into the finished piece allowing color that is exceptionally resistant to scratches and will not fade or change color with time as other color elements can. Frit remains congruent with the main glass content of the piece and will look brilliant and bold for decades to come.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ el_class=”new-left-side”][vc_column_text]

Back-Painted Glass "Bamboo"

Back-Painted – Click to View

Painted Glass is accomplished by applying glass paint to the back or textured side of the glass, and the piece is then viewed from the front or glazed side. Painting is an expressive and versatile transformative tool because the color range is unending, allowing for subtle to bold design or overall tint. This technique is the perfect solution when an exact color match is required. Painting is also easier to control than frit, making detailed and life-like designs possible. The paint is applied with brushes for bold strokes, sprays for even coats, by airbrush to achieve blends and gradients, or in any combination thereof. Painted glass is most often found in vertical surfaces, e.g. doors, windows, and wall coverings. The example photograph to the left shows a bamboo pattern slumped in the glass and then painted to achieve a 3-dimensional life-like quality.[/vc_column_text][/vc_column][vc_column width=”1/2″ el_class=”new-right-side”][vc_column_text]

Mirrored Glass Kitchen Counter Backsplash

Mirrored – Click to View

Silvered Glass is created by adding a shiny metallic surface to the underside or textured side of kiln-formed glass. This is the same process used to create a regular bathroom mirror, but we often apply the mirror after we have slumped a texture into the glass, which creates a piece able to capture, reflect and refract the light like no other. We can also wipe away some of the silver, creating a semi-mirror which lets some light through while creating a partial reflection. To go even further, we can incorporate back-painting with a partially mirrored and slumped interior window as in the picture shown here.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″ el_class=”new-left-side”][vc_column_text]Functional Works of Art

Cast Glass Ledge Living Room Shelf

Functional Works of Art in Glass – Click to View

In purchasing a custom glass piece you are acquiring a functional work of art. Our architectural art glass offers a durable surface made for everyday use, with a custom design which reflects the authenticity of your vision and offers the selective indulgence you desire. Focusing on your end vision and overall impression is our main goal, as we use our palette of glass to bring your design to life.

[/vc_column_text][/vc_column][vc_column width=”1/2″ el_class=”new-right-side”][vc_column_text]We hope this article has given you a better understanding of the options available at Glassworks, Inc., and with some new concepts to your toolkit, you are now conversing like an art glass pro!

Give us a call to continue the conversation, at our office (206) 441-4268, toll free 1 (888) 441-4268 or you can contact us via email.

For more information on our glass, our process and our people, feel free to read more articles in our Glassworks, Inc ongoing educational series:

Architectural Art Glass 101[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Latest News” font_container=”tag:h2|font_size:55px|text_align:center|color:%23000000|line_height:60px” google_fonts=”font_family:Lora%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal” el_class=”latest-news-new-page”][vc_row_inner el_class=”new-post-carousel”][vc_column_inner][na_posts_carousel height=”277px” excerpt=”0″ comment=”none” catg=”none” dot=”false” autoplay=”false” slide_visible=”2″ txtsize=”24px” txtclr=”#000000″ dateclr=”#686868″ descclr=”#888888″ settings=”size:10|order_by:date|order:ASC|post_type:post|categories:20″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row el_class=”get-in-touch-block”][vc_column][vc_custom_heading text=”Have a Vision for your Unique Space? ” font_container=”tag:h2|font_size:55px|text_align:center|color:%23000000|line_height:60px” google_fonts=”font_family:Lora%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal”][vc_custom_heading text=”Get In Touch” font_container=”tag:h2|font_size:55px|text_align:center|color:%23597b7c|line_height:60px” google_fonts=”font_family:Lora%3Aregular%2Citalic%2C700%2C700italic|font_style:400%20regular%3A400%3Anormal” el_class=”get-in-touch-link” link=”url:http%3A%2F%2Fglassworksinc.com%2Fcontact-us%2F|||”][/vc_column][/vc_row]

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Architectural Art Glass companies like Glassworks, Inc. are in the business of designing and manufacturing unique glass products that both catch the eye and serve an architectural function. Our domain is the unknown, with technical expertise and creative problem-solving as our greatest assets. Custom work like this involves constant reinvention to suit each unique situation. This means that every finished product is one-of-a-kind, limiting our ability to set uniform standards and prices. This article is the first in a series to inform new and existing customers on the basics of our business, what general standards do exist, and those methods which yield the best results – on time and within budget!

Who buys Architectural Art Glass?
If you are considering the purchase of Architectural Art Glass, you likely fit into one of the following categories: Architect, Designer, Contractor, and/or End User. Each category has unique motivations and requirements to fulfill, however it is the End User who must live with (and likely pay for) the decisions the others make on their behalf. Because architectural art glass is functional, it must often be engineered to some degree; it has to support a minimum weight, fit within specific dimensions, and integrate with surrounding materials. This requires that our customers have some design skills. Professional Architects, Designers, and Contractors typically provide us with detailed drawings describing the requirements of the desired glass. There are also circumstances where our design team can work directly with an End User (i.e. Home Owner, Business Owner) to design and produce the perfect glass element.

When should I get started?
We are aware that every project has its own life cycle… from a high-rise commercial development to a residential kitchen remodel. Larger projects can take a year or more to complete, while smaller projects can take weeks or even days. We have more than forty years of experience with all sizes and types of projects, and we know that architectural art glass usually is installed toward the end as a finishing touch and a feature of the design. It is important to know your time frame and let your glass designer/manufacturer know roughly when you will be ready to receive the finished piece for installation. The steps discussed here can happen at any point in your design process, but an early start can reduce the potential need for a redesign in the later and more critical stages of the project.

Initial Steps to acquire Architectural Art Glass

  1. Explore your options
  2. Create a design
  3. Consult on feasibility of design
  4. Request a quote

Exploring your options
Having a clear idea of what you want is essential to good design. It is also important to be open to possibilities that you may not have imagined were available. We recommend you learn the capacity and capabilities of your custom art glass designer/manufacturer. To help our customers learn what we can do, we have two rooms in our showroom filled with samples of styles, processes, and applications of architectural art glass. In addition to physical samples, we have hundreds of photos of finished and installed glass to serve as inspiration. We regularly update and refresh our samples and demo installations, so please stop by and see the new products we are cooking up in our kilns.

Create a design

Now that you know the capabilities and capacities available, you can combine this knowledge with the technical and aesthetic requirements of your project to design the perfect element. Producing a detailed drawing (with measurements and surrounding fixtures) is extremely helpful, and ensures that the final product will fit when it comes time to install. Since art glass is often one of the final touches in a construction project, several other contractors and trades people may need to understand and incorporate the same design information into creating the support structures for the art glass piece. Now that you have thought of everything and your drawing is finished, it is time to submit the design.

Consult on feasibility of design
More complex and creative uses of architectural art glass should be looked at by our production and design team to ensure that the design accomplishes the desired result while maintaining the long term aesthetic and integrity of the piece. One of the main benefits of working with a specialty manufacturer like Glassworks, Inc. is our wealth of experience with this material in a variety of applications. We can advise on how to meet architectural codes for safety (i.e. when to use laminated glass vs. tempered glass). We can also help you avoid potential design problems, and advise on the most appropriate method for attachment. One example is the tendency for designers to attach art glass panels using standoffs that require holes near the edge of the glass. This is a perfectly legitimate method of attachment in certain cases, but often there is a better solution that eliminates the need for holes, leaving a final design that is more aesthetically pleasing without compromising functional integrity. We get great satisfaction from helping our customers arrive at a design that will look amazing and serve the intended function for years to come.

Request a Quote
If all the previous steps have had the appropriate time and attention, this is the easiest step in the process. We typically return quotes in one to three business days depending on the complexity and scope of the project.

Now you are on your way to creating Architectural Art Glass like a pro. This advice fits most situations, but there are always exceptional situations that need special attention. If you have any questions about this process or the details of your project, please feel free to contact us via email, or call is at (206) 441-4268 or toll free 1 (888) 441-4268.

 

For more information on our glass, our process and our people, feel free to read more articles in our Glassworks, Inc ongoing educational series:

Architectural Art Glass 102: Glass Style

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Steven Hensel of Hensel Design Studios

Steven Hensel of Hensel Design Studios

We have the privilege of collaborating with many of the Pacific Northwest’s most celebrated architects and designers. Perhaps none is more celebrated than Steven Hensel and Hensel Design Studios based in Seattle, who just recently won the prestigious Seattle Homes & Lifestyles Publisher’s Choice Award in partnership with Seattle Design Center’s Northwest Design Awards. The Northwest Design Awards, Seattle Design Center’s annual design competition, rewards design excellence in 10 categories. Continuing a tradition started last year, Seattle Homes & Lifestyles annually presents a Publisher’s Choice Award to one of the first-place-winning projects. Essentially, this award is for the best of the best, and Hensel Design Studios won for their “Wildbird” project in Big Sur, California.

Steven Hensel of Hensel Design Studios creates contemporary interiors through an artist’s eye. Trained as a fine artist, Steven has founded several companies including Artex Designs textiles and Studio Steel furniture, architectural details, and artworks – all represented nationwide. In 1996, Steven consolidated his companies into one entity, Hensel Design Studios, providing interior design services to its clients.

Click to Enlarge

Click to Enlarge

Click to Enlarge

Steven Hensel refers to this award winning project as a “once-in-a-lifetime” experience. The “Wildbird” home is perched 600 feet above the Pacific Ocean and actually cantilevers out on a perilous isthmus with spectacular views, crashing waves beneath it and ever present condors circling the property. Originally built in the late ’50s for Nathanial Owings of Skidmore Owings and Merrill fame, the home had fallen into disrepair and was in desperate need of updating. The new owner had purchased the property as a birthday present for his wife, and hired Hensel Design Studios to bring this unique property a more modern aesthetic. Working closely with the architects, Fletcher/Hardoin of Monterrey, Steven and his team felt it was clear that the modernist designs needed to speak to the original architecture while playing a secondary roll to the magnificent setting. This goal was accomplished and exceeded through excellent choices of finishes and textures as well as custom furniture design by Hensel Design Studios to respect the history of the space while providing comfort.

Cast low-iron glass feature wall with embedded copper design

Cast low-iron glass feature wall with embedded copper design

One challenge of the project was a long and potentially boring entry wall. Fortunately, Steven had a plan. “I had experimented with Glassworks unique abilities before at Daniels Broiler on Lake Union and several residential projects with great success,” explains Steven. “I created a design that would incorporate copper details that needed to be precisely located in the crushed glass to coordinate with other architectural elements as well as the lighting designer’s method to illuminate the artwork.” Glassworks took this design and created the standout feature wall from cast low-iron glass. “This was a daunting task of very tight tolerances and precise details that could have gone wrong in a myriad of ways,” Steven continues. “Glassworks excelled at every level – my design was delivered just as I conceived it. Their engineering, teamwork, implementation and quality control were exemplary. They even loaded it on their own truck, drove it down the coast and installed it for me!”

Looking ahead, Hensel Design Studios is taking the buzz and excitement the Wildbird project generated and applying it to an amazing five acre site on the shores of Lake Tahoe. The owners have seen the glass feature wall, and Hensel hopes to include architectural art glass in this new two-year design project. Hensel Design Studios is also about to install a small compound in central Oregon that is evocative of the Greene & Greene style and then a beach house on Whidbey Island. “This has been a great time for my studio in spite of the economy, we’ve yet to slow down,” says Steven. It is always an honor to work with such talented designers and we wish Steven Hensel and his team continued success.

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Homeowners Glen and Deb Bruel invite you to visit their new ‘Natural Balance House’ – expected to be the first LEED Platinum home on San Juan Island featuring Architectural Art Glass by Glassworks, Inc.

Architectural Art Glass by Glassworks, Inc. includes:

  • Cast Glass Countertop
  • Recycled Glass Wine Room Door
  • Fuzed Glass Light Fixture

Big thanks to Ravenhill Construction who included us in this project.

WHEN: Every Saturday in May, from 11am to 4pm.

WHO: Tours will be led by the building professionals and designers involved in the project. Homeowners Glen and Deb Bruels will also be on hand. In addition, each Saturday will feature a special presentation by a professional involved with the project:

  • SATURDAY, MAY 7: “Getting to LEED Platinum”
    with Ravenhill Construction (presentation at noon)
  • SATURDAY, MAY 14: “Art from Around the World”
    with the homeowners and regional artists Lori Blessing and
    Andy Nichols (presentations at noon and 2 p.m.)
  • SATURDAY, MAY 21: “Water-Wise Shoreline Development”
    with landscaper Steve Schramm of Island Gardens
    (presentations at noon and 2 p.m.)
  • SATURDAY, MAY 28: “Sustainable Design”
    with designer Michael McNamara of Blue Sky Design
    (presentations at noon and 2 p.m.)

GETTING THERE: The Natural Balance House is located on the northwest coast of San Juan Island. Free parking is available in the upper lot of Snug Harbor Resort, with continuous shuttle service to the home from 11 a.m. to 4 p.m. The island accessible by ferry, plane, or seaplane. Directions to Snug Harbor Resort from the Friday Harbor Ferry Dock: Turn right at Front St., left onto Spring St., 2nd right onto 2nd St. Continue onto Guard St., turn right to stay on Guard St., left at Beaverton Valley Rd. Continue onto W Valley Rd., left at Mitchell Bay Rd. Destination on the left. Address: Snug Harbor Resort, 1997 Mitchell Bay Road, Friday Harbor, WA 98250

ADMISSION: Admission is free, with a suggested $5 donation to the Island’s Whale Museum in support of efforts to safeguard local orcas. Please no children under 10, pets, or food or drink. The home is not wheelchair-accessible.

FOR MORE INFORMATION or to arrange a private tour for your group of 4 or more:
Pam Worner, Green Dog Enterprises, email Pam, 206.883.6688

Website: www.naturalbalancehouse.com

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In the Friday, April 15, 2011 issue of Puget Sound Business Journal, Staff Writer Steve Wilhelm featured the folks behind Glassworks Inc. in the Growing Your Business section of the paper.

Wilhelm’s article includes a brief examination of the 40+ year history of the company, Glassworks’s place in the Seattle Art Glass movement, as well as the business strategies employed to counter the recent slump in new construction.

Wilhelm writes:

Here’s the yin and yang that makes Glassworks Inc. work.

Steve Shahbaghlian founded Glassworks in 1968, but loved the art of it much more than the business side.

The Seattle company makes custom architectural glass installations for high-end homes and commercial settings. For decades, it has kept on remaking itself as Shahbaghlian has pushed the boundaries of what the material can do.

Tish Oye, a former social worker, had returned to school for a second career and was earning an MBA at California State University, San Bernardino, in 1983. That’s when she met Shahbaghlian through friends while skiing in Utah…

Puget Sound Business Journal Website:

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Portland based non-profit organization Salmon-Safe and Seattle’s NBIS teamed up to honor several Puget Sound area businesses who have made great efforts to protect Salmon runs and their habitats. NBIS member Glassworks, Inc. contributed art-glass award plaques that included a base made of 100% cast recycled glass to each recipient.

Recipients of the awards included:

[/vc_column_text][vc_column_text]Salmon-Safe, a 501(c)3 non-profit organization, was founded by Pacific Rivers Council to encourage farmers in the Willamette Valley, Oregon to convert to practices that would protect local salmon runs and their habitats. Salmon-Safe has since expanded to become one of the nation’s leading leading regional eco labels with more than 60,000 acres of farm and urban lands certified in Oregon, Washington, California, and British Columbia. You can find Salmon-Safe labels on wine and other items featured in 300 supermarkets and natural food stores.

Salmon-Safe has increased its ability to work across the West Coast through what they call their “Partner Network”. Established in 2007, the Partner Network consists of place-based conservation organizations as well as collaborating certification organizations. Founding organizations Stewardship PartnersOregon TilthLIVEMarin Organic, Applegate River Watershed Council, NBISand National Fish & Wildlife Foundation have been joined by Vinea and Trout Unlimited. In 2010, Salmon-Safe joined with two leading Canadian conservation organizations, Pacific Salmon Foundation and Fraser Basin Council, to expand Salmon-Safe certification across British Columbia.

More info on Salmon-Safe and NBIS:
http://nbis.org/programs/salmon-safe/
http://www.salmonsafe.org
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March 21, 2011 – US Senator Patty Murray met with a small group of Seattle area women business owners at the Seattle Women’s Business Center (1437 S. Jackson Street) to discuss a wide range of challenges, including access to capital and specific issues that women owned businesses face.

Glassworks, Inc. Principal, Tish Oye, was honored to be invited to participate, “I was impressed by everyone’s energy, creativity and ability to express our concerns to Senator Murray; and in response, Senator Murray was quite supportive and seemed to understand the issues that she will take back with her to DC.”

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In the age of growing ecological awareness and sustainability, you can find many sources attempting to inform you about what materials are the most “green” for your kitchen and bathroom counter surfaces. The majority point to recycled glass as one of the top choices [see related articles and sources list]. However, pure cast glass is almost always left out of these “green” discussions in favor of mixed composites.

First plate glass is broken into “cullet”.

The term “recycled glass” is broad and can be claimed by fundamentally different materials. Both cast and composite surfaces contain recycled glass, but composites also contain a binding agent like petroleum based epoxy resin, cement, or others to hold the glass bits together. Cast glass consists of essentially one ingredient… glass. This material is created by breaking new or recycled plate glass into tiny pieces, called “cullet”, then reheating these into a molten state in a mold, forming a new and thicker slab of pure and luminescent glass.

Some might consider the focus composites manufacturers place on their recycled glass “greenwashing”, or choosing to focus on the sustainable aspects of their product while ignoring the higher impact aspects to capture a larger share of the eco-aware market.

By comparing these hard surfaces by some essential criteria, we can demonstrate without greenwashing that pure glass is an option worth discussing when looking for a sustainable counter material. This assessment is based on four dimensions of sustainability: carbon footprint of productiondurability and useful lifetoxicity/hygiene while in use, and post-consumer impact on the environment.


DIMENSION 1: Carbon Footprint

One of the most commonly accepted measures of sustainability is the carbon footprint, or the net amount of CO2 added to the environment by the production and transportation of that material. Most measure what is called “from-cradle-to-gate”, encompassing the harvesting and collection the raw materials, transporting them to the various production and fabrication locations, and the manufacturing and fabrication processes that result in the final product. This method comes from the widely agreed upon idea that CO2, a greenhouse gas, is one of the most significant contributors to climate change.

Glass is made from a common and sustainably harvested raw material – silicon dioxide aka silica. Found worldwide in the form of sand or quartz, silica is the most abundant mineral on the Earth’s crust [1], requiring less energy and creating less CO2 to procure than petroleum used in epoxy, large stone slabs and cement. It can almost always be found locally, requiring less energy to transport. The process to produce new plate glass requires intense energy in the form of heat, with sheets formed on a bed of molten tin [3]. New plate glass production generates about 0.789 kg of CO2 per cubic meter of cradle-to-gate finished product, which is 17% less than Portland Cement, and a tiny fraction of what is produced by ready mixed concrete or epoxy resin[2]. Glass really shines when you look at the carbon footprint when it is recycled. If left in a pure state, glass can be recycled at lower temperatures, using clean materials on hand, while reducing future waste headed for landfill.

Glassworks, Inc. currently recycles what is called “post-industrial” waste in the form of unused shower doors. Post-industrial material is made into a product by a factory but is either flawed or was made in excess of consumer demand. Rather than throwing these away, we have found that this glass works very well in cast glass counters and other kiln-formed glass products.

The carbon footprint is a useful standard, giving us a defined and measurable method of comparison, but falls short in isolation when trying to establish sustainability.


DIMENSION 2: Useful Life

The next measure of sustainability is the expected useful life of the product. The longer the useful life of the product, the farther we can spread the required CO2 and energy costs of production. We can create a simple equation to measure this by dividing the carbon footprint to produce by the expected life. Those familiar with the basics of capital investment may recognize this concept. By standing up to wear and tear, a product can become more sustainable by simply outlasting competing options and eliminating maintenance and replacement costs in ecological as well as financial terms.

The 301 Monroe blog has a great article called “Greenwashing” from Nov. 16, 2009 that compares many so-called “green” counter surfaces by this two-dimensional method. Unfortunately, cast glass was not included in their analysis, but their work is relevant none the less. They conclude that compared to household appliances like water heaters and air conditioners, the difference between various green materials is negligible (check out 301 Monroe‘s fancy graph). We can make a far greater environmental impact by installing better insulation, windows and reducing household energy consumption.

Contrary to common beliefs, glass is considered a durable material. Many of us have been hoodwinked by Hollywood to think that glass is exceptionally fragile and prone to breakage. It is dramatic to see actors smash bottles over each other in bar fights or jump through windows. Did you know that this “glass” is often made of sugar [4]? The truth of glass is that it is exceptionally durable, leading to its widespread use as a building material for interior and exterior applications for hundreds of years.

We have been providing durable and functional architectural glass since 1968, but we often find this bias when working with new customers. Cast glass has a Mohs scale hardness rating of up to 7, which is close to steel and similar to granite (also largely composed of silica) [5]. Our 100% glass counters have passed the tests of time and regular use, remaining intact and stunningly beautiful for decades.


DIMENSION 3: Toxicity/Hygiene

Toxicity and hygiene are easy to overlook when getting excited about the look and feel of a new material. The important factors to consider here are the possible interactivity between the surface material and the substances it comes in contact with, the emissions of volatile organic compounds (VOCs) and radiation, and how porous the surface is.

The last in the list, porous surfaces, are perhaps the easiest to understand. Any tiny pockets in the surface of a counter can grab microscopic bits of organic matter left behind when wiping it down. These can feed entire populations of harmful pathogens like bacteria. On a microscopic level, all counter surfaces have some degree of surface irregularities. Some materials are more prone to being porous than others. Cement, stone, and composites are more course materials by nature and require polishing to eliminate the tiny pockets. Cast glass from cullet has slight irregularities from the devitrification of the glass as it is reheated, but maintains a slicker surface without needing to be polished. A top sheet can also be added, which virtually eliminates all pores.

VOC’s are gasses emitted by materials throughout their useful life, though these are typically at their peak levels just after materials are produced and decline over time. In recycled glass composites, the culprit of VOCs are the binders. Acrylics and epoxy are petroleum products which are prone to some degree of “off-gassing” and can contain a number of potentially harmful chemicals such as phthalates [6]. Hardened epoxy resin can also contain Bisphenol A (BPA), which has been proven to harm human reproductive cells, and was reported by the US Food and Drug Administration to be harmful to fetuses, infants and children. Canada recently designated this as a toxic substance [7]. Cement binders are less harmful when set, but if they break free of the composite they can be irritating to the skin, eyes, and lungs [8].

Not included in the classification of “VOC”, the colorless and odorless byproducts of radioactive decay are risk factors in counter materials containing stone. Granite is mined from the earth and often contains trace amounts of uranium, which emits radiation and lung cancer causing Radon gas. Scientists say that stone counters typically only emit trace amounts of radiation and pose no immediate health risk [9]The New York Times covered one story of a woman with a more exotic stone counter that turned out to be “hot” with uranium deposits. Materials for home use are generally tested for radiation and VOCs. With normal use, you could expect only trace amount of toxins to be released by most commercially available materials.

The interactivity of the surface is another important factor to consider. Any time you have a composite, the number of substances in the mix has increased, thereby increasing the potential interactions with common substances used in the kitchen or bath. Glass has been used for food and medical containers for hundreds of years, and is the favorite container for artisan brewers and wine makers for a reason. It does not interact with what it contains, preserving the peak flavor and integrity of its contents [10].

Fear not, cast glass surfaces are a great clean alternative. Glass emits no VOCs and is inert. Our cast glass is non-porous, making it easy to wipe clean with mild, non-abrasive cleansers. Pure and simple, glass is possibly the most hygienic and toxin-free surface available.


DIMENSION 4: Post-Use Impact

So, you engaged in exhaustive research to find the best material with the smallest carbon footprint to produce, the longest life, and you are not worried about trace amounts of toxins. So far there is no irrefutable reason to choose cast glass over other popular materials. Let’s look into our green crystal ball… peering years, decades, even centuries into the future. Eventually that shiny new counter surface will show some wear. Someone will drop a bowling ball on it, or you wake up one day realizing you went with a fad that is just so early 21st century. Or, maybe you sell your home to someone who then demolishes the whole thing to build a triplex. No matter the reason, eventually that new countertop will become someone’s trash.

Though possible, recycling cast glass is costly and is not currently viable. Barring advances in recycling methods, a cast glass counter would most likely be thrown into landfill like the rest. Fortunately, pure cast glass counters are essentially made of the same stuff that was found in or on the earth to produce it. Glass does not break down easily, but when it does, glass releases its pure elements and remains inert in the ground. Composites have a similar long life after trash, but when they do break down, they release all of their toxins and chemicals, increasing the toxicity of the fill and potentially any ground water if there are leaks. All ingredients of counter materials eventually find their way back to the earth, but pure cast glass decomposes into a more environmentally friendly material.

We prefer to be purists whenever possible, and with the exception of a few dollops of installation adhesive and the infrequent use of paint, we focus on creating stunning custom designs in pure glass. We do this because we appreciate the enduring properties of glass and the skill required to manipulate it. Nothing captures and reflects light like pure glass. It is not surprising to us that something so simple would also prove to be friendly to the environment in the long run.

– – –

The long overdue effort towards cleaning up our environment and taking care of the earth through sustainable products has encouraged companies like ours to develop architectural materials which attempt to meet the “green” criteria. This article was written to increase awareness of the sustainability of pure glass (both recycled and new) and to encourage the examination of cast glass alongside other recycled glass surface options that, although purport to be sustainable, may use glass as only one ingredient in a less sustainable and sometimes toxic mix. Forty years of working with glass for counter tops, room dividers, vanities and other architectural elements has deepened our expertise and appreciation for the clean and sustainable properties of glass. Its comparable carbon footprint, long useful life, non-toxicity and hygienic qualities, and low post-use impact make pure cast glass a viable and noteworthy option in sustainable counter materials. Next time you are looking for a new counter material that is both stunning and sustainable, please reflect on pure cast glass.


Citations:

[1] Wikipedia: Silicon dioxide
http://en.wikipedia.org/wiki/Silicon_dioxide

[2] Korea LCI Database Information Network
http://www.edp.or.kr/lcidb/english/co2db/co2db01.asp

[3] Wikipedia: Float Glass
http://en.wikipedia.org/wiki/Float_glass

[4] eHow: How to Make Sugar Glass
http://www.ehow.com/how_2078408_make-sugar-glass.html

[5] Wikipedia: Mohs scale of mineral hardness
http://en.wikipedia.org/wiki/Mohs_scale_of_mineral_hardness

[6] USGBC Green Home Guide: “Choosing Kitchen Countertops: Our Top Picks”
http://greenhomeguide.com/know-how/article/choosing-kitchen-countertops-our-top-picks

[7] Wikipedia: Bisphenol A
http://en.wikipedia.org/wiki/Bisphenol_A

[8] The dermal toxicity of cement
http://www.ncbi.nlm.nih.gov/pubmed/15068132

[9] New York Times: “What’s lurking in your countertop?”
http://www.nytimes.com/2008/07/24/garden/24granite.html

[10] Glass Packaging Institute: Wine, Beer & Food
http://www.gpi.org/packaging/

Other Sources & Related Articles:

HomeStyleChoices.com
http://www.home-style-choices.com/composite-and-recycled-countertops.html

GreenHome.com: Recycling Glass
http://www.greenhome.com/info/articles/reduce_reuse_recycle/113/

The Green Building Center
http://www.greenbuildingcenter.net/products/countertops/

Ebuild.com
http://www.ebuild.com/articles/articleId.66526/countertop-materials.hwx

Radiation in your own home?
http://hyperphysics.phy-astr.gsu.edu/hbase/nuclear/radon.html

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We enjoy celebrating the success of our many creative and innovative design partners. This quarter we are focusing some special attention on Architects Hawaii staff members, Karen Muraoka, Interior Designer, and Mariel Moriwake, Associate AIA, who recently partnered with us in their design of the Straub Oncology Treatment Center in Honolulu, HI.

Designing a Healing Environment
From day one on this project, it was determined that the theme would center around nature and in particular “bamboo” elements. This became a healing environment drawing on the gentle colors and life giving images of nature and good health. This is a Clinic where most of the patients visit weekly for many hours of treatment and the importance of providing a comfortable and welcoming design setting is paramount to the healing process. This repeat experience needed to become a safe and friendly environment for patients and families to visit.

This project brought together the entire hospital and design team to the table to discuss the best solution to architectural finishes and their maintenance in the coming months and years. Environmental Services requested samples for testing. Finance required an initial and future price point that would meet the budget, and the design team maintained a voice to the vision of a healing environment.

The process for designing the glass included creative problem solving to achieve the desired effect while staying within budget and meeting deadlines for installation. More than a half-dozen samples were created to accomplish the desired soft and soothing effect while accomplishing the functional requirement of safety glass. These samples included fusing colored glass and laminating, fusing colored frit (fine granules of colored glass), and finally choosing slumped glass that was tempered and then back-painted. Glassworks staff worked closely with Architects Hawaii designers for technical consultation, fabrication information and installation advice to insure a successful outcome an ocean away.

This Clinic officially opened up for use recently and one of the best results is to hear how the patients, families and staff enjoy being in this environment. The severity and difficulty of having to endure chemotherapy for cancer and its ensuing after effects is so hard to bear and the small comforts of providing an environment that helps patients tolerate the effects is rewarding. The design also provided greater staff productivity and a lighter spirit in which to work.

 

Karen Muraoka is a Senior Associate and Studio Head in charge of the Interior Design Department at Architects Hawaii Ltd. (AHL) in Honolulu, Hawaii. She has been employed with AHL for 24 years. Her design specialties are healthcare, educational, corporate and government/institutional work. Karen is a professional member of both IIDA and ASID. Along with her position with the AAHID Board of Regents, she is the current Director of the Honolulu City Center, IIDA. Work in Asia and throughout the Pacific Rim has provided a variety of project types ranging from medical centers in Japan, a new medical school for the University of Hawaii, a capitol building interior space in Micronesia to corporate work for the State of Hawaii. She has received design excellence awards for the medical projects in Japan and Hawaii as well as for historical preservation work completed in Hawaii.

Mariel Moriwake, Associate AIA, joined Architects Hawaii in 2005. Her focus at AHL has been on healthcare projects, although she has also worked on projects in the retail and education sectors. She is a member of the United States Green Building Council, Hawaii Chapter, a LEED Accredited Professional, and serves as the Advocacy for Healthcare Committee Co-Chair. Mariel was the recipient of the 2009 Herman Miller Healthcare Design Conference Scholarship.

Architects Hawaii Recognitions in 2010:

  • Ranked No. 147 on the ZweigWhite Hot Firm 2010 list of the 150 fastest-growing U.S. and Canada architecture, engineering and environmental consulting firms
  • NAIOP Hawaii’s Architecture Firm of the Year
  • Ranked No. 92 nationally on Architectural Record’s annual Top 250 Architecture Firms
  • Ranked No. 48 nationally on Engineering News Record’s Annual Top 100 Green Design Firms 2010
  • Ranked No. 354 nationally on Engineering News Record’s annual Top 500 Design Firms 2010
  • Ranked No. 205 on Hawaii Business Magazine’s 2010 Top 250 list

More information on Architects Hawaii:
www.ahldesign.com

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ASID WA State Chapter – Board Members 2011

A message from Glassworks Principal, Tish Oye (pictured second from right):

I am honored to have joined the American Society of Interior Designers Washington State Board of Directors. As an Industry Partner and Director at Large my main focus is to encouraging interactions between interior designers and the firms that help to make their visions reality. I schedule and coordinate monthly visits to fellow Industry Partner sites. These events offer great opportunities to network with interior designers; and see and hear all about local resources from knowledgeable staff. I welcome your contact to inquire about these events or about becoming an Industry Partner with ASID.

To contact Tish Oye, please use our contact form or call (206) 441-4268 during business hours.

From www.asidwa.org:
ASID is a community of people driven by a common love for design and committed to the belief that interior design, as a service to people, is a powerful, multi-faceted profession that can positively change people’s lives. Through education, knowledge sharing, advocacy, community building and outreach, the Society strives to advance the interior design profession and, in the process, to demonstrate and celebrate the power of design to positively change people’s lives.

Of the Society’s 20,000 practicing interior designers, 6,500 practice primarily in the commercial field with 4,000 practicing primarily as residential designers. The remaining 9,500 work in both commercial and residential design. ASID Industry Partners include more than 2,500 member firms with more than 8,000 individual representatives, uniting the professional designer with manufacturers of design-related products and services. The Society’s membership also includes more than 12,000 students of interior design.

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